Thursday April 17
7pm, James West Alumni Center, Founders' Room

“The Sound of Music” (Soundtrack): Careers in the Music Industry

What do speakers, mixer boards, and street teams have in common with Plain White T’s, Fall Out Boy and Avenged Sevenfold? Music!

Have you ever wondered what it would be like to be part of creating music, promoting music and artists, or working with those who do? Attend this session to learn about career options in the music industry. Our experts have worked in all areas of the business and will share tips on how the industry works and how to get your foot in the door.

 

Panelists Include:

Philip Golden, Stereotype Records, UCLA Alumnus
If it hadn't been for picking up the Clash's first album in high school, Philip Golden could have been a productive member of society by now (maybe a lawyer or something). Since that time, he has spent his years playing in innumerable bands, owning and running a recording studio, working as a mastering engineer, and co-owning/running a web-based record label. He has a day job to feed the kids, also tangentially connected to the music world.

Charles Goodan
Was music always in the life of Charles Goodan? It seems so. If you look at the collection of vintage keyboards and guitars, vintage outboard, Pro- tools HD, and his isolated recording booth, you can see that Charles has spent most of his waking hours practicing his instruments, perfecting his studio, and honing his musical talents. He can play just about any instrument. When you listen to his compositions in Fight Club, Blow, UC: Undercover, Push Nevada, Blue Haven, etc., you'll hear his playing; whether it is piano, guitar, lap steel, dobro, banjo, ukelele, or his trusty French horn. He has also written music for Showtime, The Four Seasons Hotel, Radio Music Awards, Gap, and Timex.

Charles Goodan is a Grammy Award winning producer based in Los Angeles. He majored in Music, Science, Technology at Stanford and came to LA in 1996 to become staff producer for the Dust Brothers (Mike Simpson and John King.) In 2000 he started his own production company, Devil's Food.

Some of Charles' music awards include:
Grammy Award - Album of the Year - Santana
Brit Award Nomination - Fight Club
Billboard Number 1 - Hanson
Grammy Award Nomination - Rolling Stones
Grammy Award Nomination - Dust Brothers

He has extensive production experience that includes Santana, Beck, Linkin Park, Rolling Stones, Smashmouth, Coolio, and Leif Garrett. His remix projects include Morphine, No Doubt, Len, Squirrel Nut Zippers, Wiseguys, Money Mark, and Robert Smith.

Look for Charles' upcoming production work on albums by Scissors for Lefty and DJ Swamp.

DJ Swamp album "Vinyl Disciple" is due out in April on Bulletproof Records.

Scissors for Lefty album "Underhanded Romance" is due out June 12 on Eenie Meenie Records.

Lawrence Lebo, Independent Recording Artist, On The Air Records, UCLA Alumna

Ms. Lebo straddles the boundaries of traditional American music, with vocals extraordinaire! Her debut EP "Don't Call Her Larry, Vol. 1" garnered rave international reviews, college airplay, live performances on such stations as KCRW and KPCC, and live performances sharing the bill with such artists as Bobby Bradford. The EP's success got the attention of National Public Radio who featured Ms. Lebo on the "Weekend Edition" show hosted by Liane Hansen.

With her second release, "Don't Call Her Larry, Vol. 2," Ms. Lebo showcases her songwriting, arranging, and vocal talents. Ever the "Renaissance Woman," she recently returned to traditional academia and graduated from UCLA where she was awarded the prestigious Regents Scholar and Gold Shield Alumni Scholar.

Ms. Lebo and her band can be found performing at events, festivals, night clubs, and exclusive private parties.

Eric Polin, Sr. Vice President of Music Publishing, Universal Pictures, UCLA Alumnus (BA Economics)
Mr. Polin currently oversees the administration of their film and TV music catalog dating back to 1928. Previously, he was a partner at Wixen Music Publishing where he managed the publishing of such clients as Journey, Hole, Michael McDonald, Hot Hot Heat, Cake, Richard Marx, and Jeff Trott.

He sits on the board of directors of the California Copyright Conference (CCC) and has been a participant on CCC panels focusing on independent music publishing and music royalties. He has been quoted in the New York Times, and his opinions have been published by Billboard magazine, The Hollywood Reporter, and the U.S. Copyright Office.

He has worked in many areas of the entertainment industry, including motion pictures, television, home video, and music. He holds an MBA from the University of Southern California and a BA in Economics from UCLA. And if you must ask, he has UCLA football season tickets and bleeds Bruin blue and gold.

Rob Saslow, Concord Music Group, UCLA Alumnus
With the exception of a 2 year stint at Atlantic Records, Rob Saslow has worked exclusively for independent record labels during his 16 years in the music industry. Currently serving as Vice President of A&R Development for Concord Music Group, he works with a diverse lineup of artists that includes Tift Merritt, Marcus Miller, James Hunter, Toots & The Maytals, Loudon Wainwright III, Chick Corea, Bela Fleck, Junior Brown, Otis Taylor, Tab Benoit, Corey Harris, Stanton Moore, and The Gabe Dixon Band. Rob is not just an A&R guy - he previously managed the marketing staff for Telarc / Heads Up Records and headed up Special Markets sales efforts for Atlantic Records and Mesa / Bluemoon.

Rob's A&R formula:

1. Find hard-working artists with a creative vision and a great team
2. Make smart deals
3. Make great recordings for people who love music
4. Work with a talented staff that develops career artists
5. Go Bruins!!!!

 

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